Somehow I missed it until today when I received a “Sixpence None the Richer Newsletter” in my inbox, but it seems that my perennial favorite band has been revived after closing its doors in 2004 on friendly terms. According to the message, a Christmas album, the Dawn of Grace, is on target for launch this October (Sixpence’s first Christmas album) and a new regular album is on tap for 2009. I am giddy at the prospect.

Many folks only know Sixpence for its few pop hits -- typically, "Kiss Me" and "There She Goes," though their cover of "Don't Dream It's Over" gets the most airplay these days. But, if you are not familiar with the band, go on iTunes and check out some of their excellent work. Here's a quick pick from each of their albums, though certainly every album is worthy of owning in full:

• From the Fatherless and the Widow: "Meaningless"
• From this Beautiful Mess: "Circle of Error"
• From Tickets to a Prayer Wheel (EP): "Healer"
• From Sixpence None the Richer (the "Kiss Me" and "There She Goes" album): "Moving On"
• From Divine Discontent (the "Don't Dream It's Over" and "Breath Your Name" album): "Still Burning"
• From the Best of Sixpence None the Richer: "Too Far Gone"
• From Leigh Nash's solo album, Blue on Blue: "Just A Little."

Personally, I think the album with the most standout songs is this Beautiful Mess, however the eponymous album has the most cohesive "feel." Also, don't miss the under released song, "Sad But True," which appeared on the "Kiss Me" single and on the vinyl release of Sixpence None the Richer (it's sad but true that "Sad But True" is not available on iTunes -- but it is worth looking for a cheap copy of the "Kiss Me" single on eBay to get it).

Have a favorite Sixpence song? Let me know in the comments.

A few key blog posts about Sixpence over the years:

• My review of "Divine Discontent". Ironically, in that review, I state, "we can only hope our 'friends' at Sixpence don't stay out of contact for five years before the next CD." Given that my review was posted in early 2003, it looks like five years is about what it is going to take to hear a new recording from the band. Interesting.
• Christians and Secular Music -- about the anger that came from some corners of the Christian music world arguing that Sixpence "sold out" to the mainstream market.

So I was talking about coconut being in something today. Therefore, Harry Nilsson:

Brother bought a coconut, he bought it for a dime
His sister had another one, she paid it for the lime
She put the lime in the coconut, she drank ‘em both up
Put the lime in the coconut, she called the doctor, woke him up, and said

Doctor, ain’t there nothin’ I can take, I said
Doctor, to relieve this bellyache, I said
Doctor, ain’t there nothin’ I can take, I said
Now let me get this straight

For some reason, Sarah McLachlan’s “World on Fire” is stuck in my head at the moment — actually, it has been for the last day. What’s stuck in yours?

The world’s on fire and
It’s more than I can handle
I’ll tap into the water
(I try to pull my ship)
I try to bring more
More than I can handle
(Bring it to the table)
Bring what I am able

I watch the heavens and I find a calling
Something I can do to change this moment
Stay close to me while the sky is falling
Don’t wanna be left alone, don’t wanna be alone

Well, I had an event of historic proportions occur today. I had a song cross over the 100 play count threshold in iTunes for the first time. The song with that honor was “Taking Over Me” by Evanescence (from the album Fallen ). For those not familiar with iTune’s play counter, it tallies one play for each complete playing of a song in iTunes or on any iPod that is sync’ed through that copy of iTunes. I’ve been using iTunes primarily since May 2004 when I became a full time Mac user, but most of those plays on this particular song come from September 2004 and beyond.

I really took note of the song, which may be my favorite from Evanescence, in Fall ‘04. It just seemed to fit for a variety of reasons, and so I listened more closely and became rather attached to it. It actually has some associations with the picturesque day in October of that year I felt compelled to write about last fall in my series “Nameless” (I never did finish the series, but the first parts were here and here).

At any rate, I digress. it's a good song. In general, Evanescence is a bit "harder" rock than I typically like, however, it is this hardness juxtaposed with Amy Hartzler's (nee Lee) voice, the orchestra scores and sometimes a pretty impressive choir that really makes the band interesting. Sometimes the choirs sing in Latin even, such as in "Whisper" from Fallen or "Lacrymosa" from the Open Door, the latter of which draws on the Requiem Mass/_Dies Irae_ by way of Mozart. Even in quieter pieces such as "My Immortal," there is a contrast of the softness of the piano and the hardness of the guitars that take over at the end of the "Band Version."

But, "Taking Over Me," is something different. I cannot objectively define a reason, but I tend to think it is my favorite song from Evanescence. It is haunting and has a unique lead in. An earnestness to it makes it easy to relate to. Perhaps most importantly, there is something especially appealing about the movement from sorrow to hope in it. So, it is not entirely without merit that it was the song to take the 100 play honor.

In Other News: I noticed my post archive is messed up at the moment. It has long had a "known issue" that I've meant to resolve that makes it so that you can only see the last 20 posts in any given category, however SAFARI (my homebrewed CMS/blogware, not the web browser) now has a bug that makes it sort by something other than date, and a lot of old posts are showing up in the categories at the cost of hiding newer posts. I need to fix both issues, but in the mean time, here's your chance to (turn on booming announcer voice) relive favorite classic asisaid moments today! Yes, that's right, you can enjoy posts from as early as 2002 from the convenience of your own home. Call -- ahem, I mean click -- over in the category box today!

What’s everyone listening to these days? I’m in a rut.

For some reason, I have Dean Martin’s rendition of “It’s a Marshmallow World” stuck in my head. Yes, many of you have turned off the Christmas music — I know — but this is more “winter music” anyway. And, last I checked, this is the beginning of winter. So there.

It’s a marshmallow world in the winter,
When the snow comes to cover the ground,
It’s the time for play, it’s a whipped-cream day,
I wait for it the whole year round.
These marshmallow clouds being friendly,
In the arms of the evergreen trees,
And the sun is red like a pumpkin head,
It’s shining so your nose won’t freeze.

The world is your snowball, see how it grows,
Thats how it goes, whenever it snows,
The world is your snowball just for a song,
Get out and roll it along.

It’s a yum-yummy world made for sweethearts,
Take a walk with your favorite girl,
It’s a sugar date, what if spring is late,
In winter, it’s a marshmallow world.

Anyone have any new favorite Christmas music from the past year or three? Thanks.

So, as I predicted, I broke down and purchased Evanescence's new CD, the Open Door. I was doing some Christmas shopping on Amazon.com, and they had new releases for $7.99 -- how could I resist?

So far I like it. In an odd way, it seems more upbeat than their previous works (relatively speaking, as you will understand if you know Evanescence). I decided not to listen to the whole CD in one sitting, so listened to the first four songs. I had already heard "Call Me When You're Sober" on XM Flight 26, right after the single for it came out in August or September, so there weren't any surprises there, but the songs around it were very well developed. Like Fallen, the CD has a very connected, polished sound that avoids the feeling that certain key songs were meant for single status and everything else was left in rough form.

Well, Evanescence’s the Open Door has finally been released. I’ve been sort of fascinated with this release, not only because I really enjoyed Fallen, but also because I wanted to see what their first real post-Christian music release would sound like. For those not familiar with the group, since the band’s founders at least previously claimed to be Christian and Fallen had some clearly Christian-flavored lyrics, it was briefly marketed at Christian bookstores, until a rather odd tirade by Amy Lee and Ben Moody, the co-founders, caused the label to pull the CD from the Christian market. I’m not sure whether Lee or the newer band members consider themselves Christians as of right now or not. At any rate, unlike Fallen, the Open Door is being marketed exclusively as a secular CD.

Moreover, it is the first release lacking Ben Moody, who not only co-founded the band, but was also the writer of the song that originally attracted me to the group, “My Immortal.” Given that I think Moody soften up the band’s heavy sound a bit, I was wondering whether I’d like the Open Door or not. Even Fallen pushes the limits on what I can stand in music. I like it, but the heavy guitar sections of the CD come close to being too much for me.

From the iTunes 30 second preview clips, I’m not entirely sure of the Open Door, but at least several of the songs sound like they have potential. I’ve already heard “Call Me When Your Sober” on the radio, and it was pretty good; it is a bit different than their previous work while still maintaining the essential sound of the group.

I’ll probably order the CD soon — in case anyone is interested, I’ll post a review sometime after I hear the whole thing.

This week’s meme from Mark covers music. This is perfect since I just got back from the season opener of the St. Louis Symphony Orchestra: Bartok's The Wooden Prince.

1. What is your favorite way to listen to music?
Live. OK, beyond that, probably in the car. I'm not so much interested in the volume as the acoustics and immersion factors. Being in a small, enclosed space that has six or eight speakers sounds great. Not as great as it sounded tonight at Powell Symphony Hall, though.

2. What classical composer doesn't get enough credit/airplay in your opinion?
In the spirit of the evening, I'll say Bartok. I must confess I was not at all familiar with him until tonight, but his composition was truly enjoyable. It was a fast paced, varied score that kept a 103 piece orchestra very busy for almost an hour non-stop. While I probably preferred the Mozart concerto that proceeded it, I'm glad to have been introduced to this Hungarian/Romanian composer.

3. What band / artist would you like to see (cough) retire immediately?
Pretty much any rapper, especially St. Louis's very own Nelly. I just don't think a rapper singing explicit lyrics represents the spirit of St. Louis.

4. Looking into your crystal ball, what will replace the mp3 player?
The MP3 player, in as much as one means an electronic player that plays digital audio files from some solid state or hard disk storage, I think the MP3 player is pretty much here to stay. Primarily, I suppose I see the same thing happening to it as has happened to the PDA: it will become increasingly part of cell phones rather than a stand alone device. Perhaps the successors to the 80 GB iPod, and other high end devices, will stick around in independent form, but in 2010, I think most people will use their 100 GB cell phones that can connect to the iTunes Music Store wirelessly for no additional charge.

Note: The questions on this page written by Mark are governed by the Creative Commons BY-NC-SA 2.5 license. I believe my responses are allowed under fair use and therefore are not licensed under the Creative Commons license (I don't want people messing with adapting my personal opinions, thank you very much).

Wow, David Robertson is some conductor! That was spectacular tonight. The SLSO is an amazing orchestra, but Robertson's conducting was simply an amazing performance all by itself. It was a good way to ring out this year; tomorrow's my birthday.